I know Superior is a lot more advanced, but the need for compatibility and to save time was more urgent than features. It shrinks the files down quite a bit if you don’t have to bounce stems and the collaborator libraries are compatible. One of my drummer/collaborators also uses Superior, so I was eventually hoping to get the cross grade to Superior and be able to send sessions back and forth over Splice. So having the same drum software engine they’re using is pretty important.
The plan is for me to receive a we-transfer of a Studio 1 Pro session, only do a couple of hours of mixing per song, then send it back to them to finish. It’s an indie songwriter/publisher with a handful of tracks. But with things a little more under control, and all of the Easter church work out of the way, I agreed to take one of my old music clients back and work on an EP with them. Several months ago I started a software developer job that’s had me tied up about 70 hours a week. I haven’t done any recording or mixing in almost 6 months, aside from the 2 bare hands competition and my monotonous workload of broadcast contracts.